Henri Fantin-Latour
French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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Henri Fantin-Latour Homage to Delacroix oil painting


Homage to Delacroix
1864
Painting ID::  1194
Henri Fantin-Latour
Homage to Delacroix
1864
   
   
     

Henri Fantin-Latour Narcissus and Tulips oil painting


Narcissus and Tulips
1862
Painting ID::  1195
Henri Fantin-Latour
Narcissus and Tulips
1862
   
   
     

Henri Fantin-Latour The Corner of the Table oil painting


The Corner of the Table
1872 Musee d'Orsay, Paris
Painting ID::  1196
Henri Fantin-Latour
The Corner of the Table
1872 Musee d'Orsay, Paris
   
   
     

Henri Fantin-Latour Portrait of Edouard Manet oil painting


Portrait of Edouard Manet
1867 Art Institute of Chicago
Painting ID::  1197
Henri Fantin-Latour
Portrait of Edouard Manet
1867 Art Institute of Chicago
   
   
     

Henri Fantin-Latour Still Life  5 oil painting


Still Life 5
1873 Art Institute of Chicago
Painting ID::  1198
Henri Fantin-Latour
Still Life 5
1873 Art Institute of Chicago
   
   
     

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     Henri Fantin-Latour
     French 1836-1904 Henri Fantin Latour Locations Bure) French painter and printmaker. He was trained by his father, a portrait painter, and at the Ecole des Beaux-Arts. Though he associated with progressive artists (Gustave Courbet, Eugene Delacroix, Edouard Manet), he was a traditionalist best known for his portraits and still lifes with flowers. His portrait groups, reminiscent of 17th-century Dutch guild portraits, depict literary and artistic persons of the time; his flower paintings were especially popular in England, thanks to James McNeill Whistler and John Everett Millais, who found patrons to support him. His later years were devoted to lithography.

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